I was visiting London a few weeks ago and on a slow day decided to do the Beatles walking tour (which was inevitably called the “Magical Mystery Tour”). The tour of course ended at the legendary Abbey Road Studios in northwest London, and I got to see no fewer than six tourists nearly get killed stepping directly into oncoming traffic while trying to catch the iconic crosswalk photo.

Modern music fans usually don’t listen to music live, unlike our ancestors, who listened to live music exclusively. As I stood outside Abbey Road Studios and watched a 16-year-old Colombian girl weep at the site where the likes of “Golden Slumbers,” “A Day in the Life,” and “All You Need Is Love” were recorded, I realized that a musical tour of the world — a tour of the songs that moved you to tears, or helped you through a hard time, or amped you up for a big moment — would actually be a tour of the studios, these often nondescript buildings that are typically hidden in plain sight in our cities. Here are some of the world’s greatest studios.

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Abbey Road Studios

The studio itself doesn’t stand out particularly from the rest of the buildings around it, and it sits in a fairly quiet posh northwestern London suburb. If it weren’t for the tourists crowding the crosswalk and the Beatles-related graffiti covering its outer gate, one might pass and never notice it. The most famous image of Abbey Road is of course the crosswalk right outside the studio. Vehicles in London are legally required to wait at so-called “zebra crossings” as long as you physically stay in motion, so you can take as long as you like taking your picture, as long as you move in slow motion.

Aside from most of the Beatles albums, Abbey Road (formerly EMI Studios) is also the recording site of Pink Floyd’s The Dark Side of the Moon (1973), Duran Duran’s eponymous debut album (1981), parts of Radiohead’s The Bends (1995) and OK Computer (1997), and Lady Gaga’s Born This Way (2011).
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The Dungeon

The Dungeon is probably better known for the hip-hop collective that was born out of it, the Dungeon Family. The Dungeon itself was a studio in producer Rico Wade’s mother’s basement in Atlanta, Georgia, but the collective has included some of the greatest hip-hop acts of the South and, consequently, of all time.

At the top left is the only picture I’ve been able to find of the Dungeon — pictured in it are the Dungeon Family and production-company founders of Organized Noize, Sleepy Brown, Ray Murray, and Rico Wade (from left to right). Probably the most famous members of the Dungeon Family are Big Boi and Andre 3000 (bottom left). Virtually all of Outkast’s albums were recorded with the Dungeon Family. It’s also the home of Gnarls Barkley, Cee-Lo Green, Bubba Sparxxx, Janelle Monae, and Future (pictured to the right with a Dungeon Family tattoo on his forearms).
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Muscle Shoals Sound Studio

Muscle Shoals may be best known for a song that wasn’t recorded at Muscle Shoals: Lynyrd Skynyrd’s “Sweet Home Alabama.” One of the lines is “Now Muscle Shoals has got the Swampers / And they been known to pick a song or two.” Muscle Shoals was formed when a band, the Muscle Shoals Sound Rhythm Section (nicknamed the Swampers) broke away from the great FAME Studios nearby and formed their own. While they’ve got a slightly bigger studio these days, it’s still in the tiny town of Muscle Shoals, way off the beaten path in northwestern Alabama.

Even though the original studio looked like a roadside mechanic’s garage, the Muscle Shoals Sound Studio would go on to record tracks for the likes of the Rolling Stones (“Brown Sugar” and “Wild Horses” from Sticky Fingers in 1971), Paul Simon’s “Kodachrome” (1973), Bob Seger’s Night Moves (1976), the Black Keys’ awesome Brothers (2009, at the new studio), and, of course, Lynyrd Skynyrd’s first album (but not released till much later), Skynyrd’s First (1978).
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Trident Studios

It’s hard to understate how important London studios were to rock ‘n’ roll in the ’60s and ’70s, and high among those studios was Trident. Tucked back in an alley in London’s posh Soho neighborhood, Trident is barely noticeable from the street, and it takes a little bit of searching to even realize it’s a studio.

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Relative anonymity aside, Trident Studios were responsible for the discovery of Queen and their first four albums, Queen (1973), Queen II (1974), Sheer Heart Attack (1974), and A Night at the Opera (1975), as well as James Taylor’s eponymous debut album (1968), the Rolling Stones’ Let it Bleed (1969), David Bowie’s The Rise and Fall of Ziggy Stardust and The Spiders from Mars (1972), and Lou Reed’s Transformer (1972).
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Sunset Sound Recorders

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On the other side of the world, we have Sunset Sound Recorders, on Sunset Boulevard in Hollywood, California. It was originally built for recording the music to Walt Disney movies, and you can thank them for Mary Poppins, Bambi, and 101 Dalmatians, but they went on to much greater rock heights.

Probably the most famous album recorded here was the Rolling Stones’ Exile on Main Street (1972, and pictured above), generally believed to be their best ever, but it was also the home of the Beach Boys’ best album, Pet Sounds (1966). My personal favorites, however, are Led Zeppelin’s albums Led Zeppelin II (1969) and Led Zeppelin IV (1972), both of which were partially recorded and mixed here. Other famous ones include the Doors’ The Doors (1967) and Strange Days (1967), Jet’s Get Born (2003), the O Brother, Where Art Thou? soundtrack, and, of course, Macy Gray’s On How Life Is (2000).
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Headley Grange

Headley Grange is a former poorhouse in Headley, England, and it gets on this list for a single reason: its stairwell. During a recording session in the room next door, Jimmy Page was trying out the riff to “When the Levee Breaks,” when the crew started setting up John Bonham’s drum kit in the hall. He went out, start playing, and they recorded it from the stairwell. The result is one of rock’s best ever sounds. Bad Company, Fleetwood Mac, Genesis, and Peter Frampton recorded here as well.
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Motown

Of course Motown is on here. Technically, the studio itself is called “Hitsville, U.S.A.” (now a museum, pictured at the bottom), but the site was also the home of Motown’s headquarters in Detroit, and as such I’m calling it Motown. It was without a doubt one of the most important recording studios of all time, and if you say the name “Motown” now, it evokes an entire genre of music put out by Berry Gordy’s Motown label.

Among the many great albums recorded at Hitsville are Marvin Gaye’s What’s Going On (1971) and Let’s Get it On (1973), the Jackson 5’s debut Diana Ross Presents the Jackson 5 (1969 — Ross and the Supremes are pictured at the top left with Berry Gordy), the Marvelettes’ Please Mr. Postman (1961), and Stevie Wonder’s debut, The Jazz Soul of Little Stevie (1962).
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Electric Lady Studios

Electric Lady Studios (as you’ve probably guessed) was founded by Jimi Hendrix after how much it cost him to record his epic album Electric Ladyland. Hendrix was only able to use the studio for four weeks before he died, but the studio, in New York’s Greenwich Village, is still very much in use.

We can thank Electric Lady Studios for Zeppelin’s Houses of the Holy (1973) and Physical Graffiti (1975), Patti Smith’s Horses (1975) The Clash’s Combat Rock (1982), Billy Idol’s Rebel Yell (1983) Weezer’s eponymous 1995 album, Santana’s Supernatural (1999), the White Stripes’ De Stijl (2000), the Roots’ Game Theory (2006), as well as a ton of Kiss albums.
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Sun Studio

We’ve been focusing a lot on rock, so let’s just get this out of our system: Sun Studio, in Memphis, Tennessee, was originally more of a blues outfit. But blues begat rock, and it begat it right in Sun Studios in the form of Elvis Presley, Jerry Lee Lewis, Roy Orbison, and Johnny Cash, all of whom recorded albums here.

Aside from the founders of rock, Sun Studio also recorded albums for blues greats B.B. King, Howlin’ Wolf, and Junior Parker. It closed for a while but then reopened in 1987, where, probably most notably, it recorded U2’s Rattle and Hum (1988).
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Studio One

It’s called “the Motown of Jamaica,” but really, it should just be called Studio One. Because Studio One is the home of reggae, and it doesn’t need the Motown qualifier.

Founded by Clement “Coxsone” Dodd (the man with the microphone) back in 1963, Studio One recorded albums for Bob Marley and the Wailers, Lee Scratch Perry, Burning Spear, and Toots and the Maytals. You’re welcome, world.
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Rolling Stones Mobile Studio

This one could get on here just for the novelty of having what’s basically a truck with a recording studio in it, but it’s actually been the site of a number of insanely good recordings. It was set up by Mick Jagger when he got sick of all the problems of using regular recording studios. They set up a studio in his home and then, so they could move it around, put a control room into this van.

We can thank the mobile studio for songs like Deep Purple’s “Smoke on the Water,” and — because it’s mobile — for the most famous live recording of Bob Marley’s “No Woman, No Cry” — the one appearing on the posthumous Legend (1984). It also recorded parts of a number of Stones and Zeppelin albums, as well as Simple Minds’ 1979 debut album, Life in a Day, and live performances by Patti Smith and the Ramones.
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Capitol Studios

The home of Capitol Records, Capitol Studios gets on this list for the sheer breadth of the artists they’ve recorded here. All major record labels are going to have crazy amounts of awesome musical artists recording in their studios, but Capitol Records is best known for its “echo chambers,” which are part of an underground concrete bunker designed by legendary guitarist and sound engineer Les Paul to get a better reverb sound.

The studios are most famous for being the place where Frank Sinatra did a lot of his recordings — his microphone is still here, and the band Bastille recently recorded on it — as well as being a home to Nat King Cole and the Beach Boys. But it wasn’t just older music: Oasis, Daft Punk, Aaliyah, Outkast, and fun. have all recorded here.
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Lee “Scratch” Perry’s Black Ark

Easily the most fascinating studio on this list is Lee “Scratch” Perry’s Black Ark Studio in Kingston, Jamaica. While not quite as mainstream, and definitely more low-tech than nearby Studio One, the Black Ark was known for Perry’s innovative producing techniques, and also for his incredibly strange behavior. He was known for blowing ganja smoke into the tape decks, burying tapes, and spraying the unprotected tapes with blood, urine, and whiskey to “bless” them. Eventually, after a few rough years of being extorted by gangsters, Perry covered the entire building in magic-marker drawings and then burned it to the ground to get rid of ‘bad spirits.’ Other than producing many of Perry’s own records (and basically inventing the ‘dub’ genre), Black Ark gave us recordings from Bob Marley, Paul McCartney and Wings, the Clash, and Junior Murvin.
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Hans Zimmer’s Music Lair

You may not have heard of Hans Zimmer, but you’ve definitely listened to him. Zimmer is the German composer known for writing the scores to movies like Gladiator, The Dark Knight, Inception, and The Lion King. I’ve always been a fan of his music — try listening to The Dark Knight when you’re trying to get some work done, it’s second only to Daft Punk’s Alive — but I never knew he had an awesome pad like this. It looks like what I imagined Hogwarts looking like. Yes, those are skull lamps, and those aren’t bookshelves in the back — that’s a synthesizer.
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Chase Park Transduction

Athens, Georgia, has become synonymous with awesome music, and one of its most prolific studios is Chase Park Transduction. It’s recorded the granddaddy of Athens rock bands, REM, as well as acts like Bright Eyes, Deerhunter, Animal Collective, and Queens of the Stone Age.
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The Rundown

• Best From Hobbyist to Pro:Final Cut Pro X at Apple.com, “A video editing software that you can use even if you don’t have much experience.”
• Most Accessible Apple Editor: Apple iMovie at Apple.com, “If you haven’t done video editing before, this is a good place to get started before moving on to more serious software.”
• Best for Pros:Adobe Premiere Pro CC at Amazon, “A powerful video editor for professionals putting out movies, short films, and the like.”
• Easiest-to-Use Cross-Platform Editor:Adobe Premiere Elements 2018 at Amazon, “An easily approachable video editing software for those just getting started.”
• Best Open-Source Software:Shotcut at Shortcut.org, “A multi-track editing software like any other serious software, and you can readily rearrange the workspace to suit your editing needs.”
• Best Starter Freeware:Lightworks at Lwks.com, “Whether or not you need the free or paid versions is a question you can answer for yourself.”
• Best Freeware:DaVinci Resolve 15 at Blackmagicdesign.com, “Plenty of functionality to take your footage, organize it with data to help you find what you need, and edit it all together.”
• Best for Tutorial and Presentation Videos:Camtasia at Techsmith.com, “It’s a screen recorder and video editor built into one product.”

Our Top Picks

Best From Hobbyist to Pro: Final Cut Pro X

If you want a video editing software that you can use even if you don’t have much experience (and you plan on growing as a video editor while using it), then Final Cut Pro X is well worth your consideration. It may take a few tutorial videos to really get yourself ready to start doing much, but once you get your feet wet, you can do basic editing and learn more and more advanced tricks over time.

While Final Cut Pro X is a professional video editing tool, it’s approachable enough for hobbyist videographers to get on board with. And it has a bit more reasonable price than some of the other serious pro video editing software. As a pro software, it comes packed with handy features to help you realize your vision.

The latest version of Final Cut Pro X has the multi-track timeline needed for editing but brings in the future of video and pro features. It supports 360-degree video, graphics, and effects. You can edit together video from multi-cam recording setups and easily switching between multiple angles. And, you can create HDR content. That’s just the tip of the iceberg.

Apple offers a free trial so you can see if this one is up your alley before you dive all the way in.

Most Accessible Apple editor: Apple iMovie

If you really just want to get started editing videos on your Mac, or even on your iPhone or iPad, then the easiest way is to get Apple iMovie. This is Apple’s free video editing software, and it runs on both Mac OS and iOS platforms, so you can do you video editing just about wherever you go.

For hobbyist and amateur filmmakers, Apple iMovie will have approachable tools to help you easily take your footage and edit a video with a clear flow. You’ll be able to combine multiple video files, layer different video and audio tracks, and add title screens to your video without much fuss. It even includes video filters and some special effects, including picture-in-picture.

The latest version of Apple iMovie keeps up with the trends in video, supporting 4K video editing. So, all that 4K video you capture on your iPhone can be turned into a movie in iMovie. If you haven’t done video editing before, this is a good place to get started before moving on to more serious software.

Best for Pros: Adobe Premiere Pro CC

Adobe’s Premiere Pro CC (Creative Cloud) software is a powerful video editor for professionals putting out movies, short films, and the like. Of course, it’s also a viable option for hobbyists looking to sharpen their teeth on a video editor that gets used in professional positions. If you’re not trying to go professional with your editing quite yet, you may want to check out the next pick.

Adobe Premiere Pro CC is a constantly evolving video editing software, as Adobe rolls out updates over time. Rather than buying a single edition of the software, you pay for a subscription as long as you’re using it. An added perk is that the software isn’t exclusive to Mac, so you can switch between different computers with different operating systems if you need to.

That subscription gives you access to Premiere Pro for editing all sorts of video, from 3D and even 8K. You’ll also be able to handle audio tracks, add graphics, manage light and color, and effectively put together whatever video you can imagine. If you use Adobe’s other software, like Photoshop or Illustrator, then Premiere Pro will be a great option for easily integrating different workflows.

Easiest-to-Use Cross-Platform Editor: Adobe Premiere Elements 2018

Adobe Premiere Elements 2018 is almost exactly what it sounds like. It’s a stripped down version of the pro Premiere software. This does make it a little less capable, and new features aren’t constantly rolling out to it, but it works as an easily approachable video editing software for those just getting started. And, without a subscription model, you can pay for the software once and you’re set.

If you’re an amateur just getting started with video editing, and especially if you’re not planning on going pro, then Premiere Elements 2018 will be an excellent pick for you. While Premiere Elements does give you plenty of tools for putting together multiple video, image, and audio files into one complete video, it also has some tools to help you make a better video if you’re not a savvy editor already. Plus, the software is available on both Mac and PC.

Premier Elements 2018 helps you organize the files you’ll be using in your video, and it can guide you through the editing process from beginning to end. It will also let you add in some fun little effects to spice up your video. And, in keeping with the times, it supports 4K video.

Best Open-Source Software: Shotcut

Shotcut is highly versatile free video editing software available on Mac and PC. Once you get past the somewhat steep learning curve, you’ll find you can do quite a lot with Shotcut. And, since it’s a free software, you have the option of seeing whether or not you like it without having to pay a cent.

Shotcut is a multi-track editing software like any other serious software, and you can readily rearrange the workspace to suit your editing needs. Shotcut supports a wide variety of file types for both input and output, including 4K video. Plus, you can edit audio, color, and lighting effects in Shotcut.

Though Shotcut isn’t the easiest software to just pick up and start editing videos with, the nature of being a free software means plenty of people are using it and making incredibly helpful tutorial videos or guides on how to use it. And, if you want a readily portable option, Shotcut is it, since you can run it directly off an external storage drive.

Best Starter Freeware: Lightworks

Lightworks blends the offerings of a free editing software with a paid one. Compared to Shotcut, it has an easier learning curve, but some of the features that you’ll want may be part of the paid Lightworks Pro version, such as the ability to export your final product in more video formats and higher resolutions.

Whether or not you need the free or paid versions is a question you can answer for yourself later on though, as either will let you import a wide range of file formats, easily edit together multiple files, manage your audio, add titles, and tweak your visuals.

The free version of Lightworks will be a fine option for anyone who isn’t concerned much about video resolution, as you’ll still be able to output web-ready 720p videos. But, if you try out Lightworks, like how it works, and want to stick with it as your video editor of choice, you can upgrade to the Pro software and start putting out high-quality video. Plus, Lightworks is available on Windows, Mac, and Linux, so you’ll be able to stick with Lightworks even if you stop using a Mac later on.

Best Freeware: DaVinci Resolve 15

If you’re ready to get started editing all kinds of videos and putting out the final product in a high-quality, 4K format without having to pay a cent to do so, then DaVinci Resolve 15 is a great option. While there is a paid Studio version, you’ll really only need to go with that if you’re planning to do some collaboration or want access to a few of the software’s more advanced tools and effects.

For the most part, DaVinci Resolve 15 is going to give you plenty of functionality to take your footage, organize it with data to help you find what you need, and edit it all together. Once you’re done, you can output in just about any format you need, whether you want the highest quality or something that’s ready to upload quickly to YouTube.

If you want a video editing software you can get serious with, then DaVinci Resolve 15 fits the bill. It’s just a bonus that the free version is so capable because it’ll give you a chance to try it for yourself and see if it feels like something you can really use.

Best for Tutorial and Presentation Videos: Camtasia

Camtasia is particularly handy if you’re planning to make videos that will use footage captured from your computer screen. That’s because it’s a screen recorder and video editor built into one product.

With Camtasia, you’ll be able to record the screen and audio of your computer or even your iOS device. If you’re putting together tutorial videos, this capability will be incredibly useful. Plus, you have the option of adding webcam footage on top of the screen-captured video.

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Beyond screen-capture, Camtasia also gives you multi-track timeline editing and tools for transitions, animations, audio and video effects, and annotations. If you want to make a presentation video, you can also add in a PowerPoint. So, whether you’re an educator, business professional, or just trying to put some tutorials up on YouTube, Camtasia offers tools you can use to capture and edit the video you need. A free trial will give you a chance to see if its tool and features a good fit for you.

What to Look for in Video Editing Software for a Mac

Free vs. paid - If you’re a beginner just dipping your toes into the world of video editing, a free software program is probably your best bet. If you have more advanced needs, you’ll likely need to pay to access the features you’ll need. However, most software programs have free trials that let you try them before you buy them.

File compatibility - Before you commit to a new program, make sure it’s compatible with the type of video you’ll be shooting. While some programs support 4K video, others don’t, and yet others will support 3D and 4K. Be sure to consider both the input and output formats you’ll need.

Extra features - Most video editing programs can handle the basics—merging clips, adding transitions, and laying down audio—but the extra features are what will take your video from amateur to expert. Look for handy features like multi-track timelines, filters, special effects, and more.